The boy hidden in an egg, 1969
Etching and aquatint, 8 x 7 inches (21 x 18 cm)
The little sea-hare (Das Meerhäschen)
There was once upon a time a princess, who, high under the battlements in her castle, had an apartment with twelve windows, which looked out in every possible direction, and when she climbed up to it and looked around her, she could inspect her whole kingdom. When she looked out of the first, her sight was more keen than that of any other human being, from the second she could see still better, from the third more distinctly still, and so it went on, until the twelfth, from which she saw everything above the earth and under the earth, and nothing at all could be kept secret from her. Moreover, as she was haughty, and would be subject to no one, but wished to keep the dominion for herself alone, she caused it to be proclaimed that no one should ever be her husband who could not conceal himself from her so effectively, that it should be quite impossible for her to find him. He who tried this, however, and was discovered by her, was to have his head struck off, and stuck on a post. Ninety-seven posts with the heads of dead men were already standing before the castle, and no one had come forward for a long time. The princess was delighted, and thought to herself, now I shall be free as long as I live.
Then three brothers appeared before her, and announced to her that they were desirous of trying their luck. The eldest believed he would be quite safe if he crept into a lime-pit, but she saw him from the first window, made him come out, and had his head cut off. The second crept into the cellar of the palace, but she perceived him also from the first window, and his fate was sealed. His head was placed on the nine and ninetieth post. Then the youngest came to her and entreated her to give him a day for consideration, and also to be so gracious as to overlook it if she should happen to discover him twice, but if he failed the third time, he would look on his life as over. As he was so handsome, and begged so earnestly, she said, yes, I will grant you that, but you will not succeed.
Next day he meditated for a long time how he should hide himself, but all in vain. Then he seized his gun and went out hunting. He saw a raven, took a good aim at him, and was just going to fire, when the bird cried, don't shoot, I will reward you. He put his gun down, went on, and came to a lake where he surprised a large fish which had come up from the depths below to the surface of the water. When he had aimed at it, the fish cried, don't shoot, and I will reward you. He allowed it to dive down again, went onwards, and met a fox which was lame. He fired and missed it, and the fox cried, you had much better come here and draw the thorn out of my foot for me. He did this, but when he wanted to kill the fox and skin it, the fox said, stop, and I will reward you. The youth let him go, and then as it was evening, returned home.
Next day he was to hide himself, but no matter how he puzzled his brains over it, he did not know where. He went into the forest to the raven and said, I let you live on, so now tell me where I am to hide myself, so that the king's daughter will not see me. The raven hung his head and thought it over for a long time. At length he croaked, I have it. He fetched an egg out of his nest, cut it into two parts, and shut the youth inside it, then made it whole again, and seated himself on it. When the king's daughter went to the first window she could not discover him, nor could she from the others, and she began to be uneasy, but from the eleventh she saw him. She ordered the raven to be shot, and the egg to be brought and broken, and the youth was forced to come out. She said, for once you are excused, but if you do not better than this, you are lost.
Next day he went to the lake, called the fish to him and said, I suffered you to live, now tell me where to hide myself so that the king's daughter may not see me. The fish thought for a while, and at last cried, I have it, I will shut you up in my stomach. He swallowed him, and went down to the bottom of the lake. The king's daughter looked through her windows, and even from the eleventh did not see him, and was alarmed, but at length from the twelfth she saw him. She ordered the fish to be caught and killed, and then the youth appeared. It is easy to imagine the state of mind he was in. She said, twice you are forgiven, but be sure that your head will be set on the hundredth post.
The boy hidden in a fish, 1969
Etching and aquatint, 9 x 11 inches (24 x 28cm)
On the last day, he went with a heavy heart into the country, and met the fox. You know how to find all kinds of hiding-places, said he, I let you live, now advise me where I shall hide myself so that the king's daughter shall not discover me.
That's a hard task, answered the fox, looking very thoughtful. At length he cried, I have it, and went with him to a spring, dipped himself in it, and came out as a stall-keeper in the market, and dealer in animals. The youth had to dip himself in the water also, and was changed into a small sea-hare. The merchant went into the town, and showed the pretty little animal, and many persons gathered together to see it. At length the king's daughter came likewise, and as she liked it very much, she bought it, and gave the merchant a good deal of money for it. Before he gave it over to her, he said to it, when the king's daughter goes to the window, creep quickly under the braids of her her hair.
The princess in her tower, 1969
Etching and aquatint, 18 x 13 inches, (46 x 33 cm)
And now the time arrived when she was to search for him. She went to one window after another in turn, from the first to the eleventh, and did not see him. When she did not see him from the twelfth either, she was full of anxiety and anger, and shut it down with such violence that the glass in every window shivered into a thousand pieces, and the whole castle shook.
She went back and felt the sea-hare beneath the braids of her hair. Then she seized it, and threw it on the ground exclaiming, away with you, get out of my sight. It ran to the merchant, and both of them hurried to the spring, wherein they plunged, and received back their true forms. The youth thanked the fox, and said, the raven and the fish are idiots compared with you, you know the right tune to play, there is no denying that.
The youth went straight to the palace. The princess was already expecting him, and abandoned herself to her fate. The wedding was solemnized, and now he was king, and lord of all the kingdom. He never told her where he had concealed himself for the third time, and who had helped him, so she believed that he had done everything by his own skill, and she had a great respect for him, for she thought to herself, he is able to do more than I.
translation by Margaret Hun
About the illustrations
In the late 1960s Hockney began preparations for the double portrait of Mr and Mrs Clark and Percy (Tate Collection www.tate.org.uk), but these were put on hold for most of 1969 as he was taken up with one of his most ambitious printmaking projects: Illustrations for Six Fairy Tales from the Brothers Grimm. Working on illustrations of the world-famous tales collected by the German scholars and folklorists, Jakob Ludwig Karl (1778-1865) and Wilhelm Karl (1787-1859) Grimm, enabled Hockney to give full rein to his imagination. He had read all of the stories, some three hundred and fifty in total, and was attracted by the simple direct style of the writing. He had already made etchings based on the Rumpelstiltzhen story in 1961 and again in 1962, and the for the new series he planned to illustrate twelve of the tales, but finally settled on just six titles: The Little Sea Hare, Fundevogel, Rapunzel, The Boy who left Home to learn Fear, Old Rink Rank, and Rumpelstiltzhen. In all he made over 80 etchings from which 39 were published by Petersburg Press in both book and loose-leaf portfolio editions in 1970.
As with the Cavafy etchings, he largely worked directly on to the copper plates so the drawing had a more spontaneous feel. He only occasionally made preliminary drawings in order to try out ideas, and for technical reasons, for the figures in both The boy hidden in an egg and The boy hidden in a fish, two illustrations for the tale of The Little Sea Hare.
The etchings were more complex than his earlier prints and most notable was his use of the traditional engraving technique of cross-hatching which, in addition to aquatint, he used for both areas of tone and in creating dense blacks. Though it was the first time he had employed the technique for his own prints, he had been aware of it from having studied the Hogarth etchings for his Rake's Progress almost ten years earlier.
Hockney found this a strange sexual story, about a princess who wants a husband, but does not want a husband. Sometimes the artist interpreted the tale as a desire for a child, in the final plate he alters the narrative to fit with his interpretation. A sea-hare is a mythical creature.
In this tale a princess was endowed with the ability to see above and below the earth by looking through the windows of a tower. She declared she would only marry the man she could not see from her tower. Many men came and all failed; until the 100th man accepted the challenge. With the help of a raven he hid in an egg but was seen; with the help of a fish he hid in its belly but was seen. Finally after having removed a thorn from a fox's paw, the fox helped the young man turn into a little sea hare. The little sea hare hid under the princess's hair and when she looked from the tower windows he could not be seen. They married and after the wedding the young man became ruler of the kingdom.