CONFERENCE ROUNDUP
From Carolyn
Lumsden
Commentary Editor,
The Hartford
Courant
For the 15th AOPE
annual meeting, some two dozen people traveled to hospitable
The conference began with a nifty reception in the Cowgirl Hall of Fame, a fabulous little museum where the Star-Telegram kindly fed us Mexican food and entertained us with a band and an artist who drew caricatures of those willing to be cartooned.
Friday morning at
the Radisson hotel, we heard from a panel about Latinos on opinion pages.
Javier Aldape, publisher of the S-T's La
Estrella, pointed out that Hispanics are now
the single largest minority group and half of the Latino population lives
in urban areas. What matters to Hispanic readers are families and
communities, said Dallas Morning News columnist Mercedes
Olivera. Syndicated columnist Linda Chavez
noted that half the Latinos in the
Panel 2 was a
panel discussion on the city where the West begins, where Sally Rand did
her fan dance in 1936, and vast fortunes and national decisions were made
in smoky back rooms. To understand the frontier way is to understand George
W., one panelist said. That way is about debating fiercely in private and
then publicly standing behind the back-room consensus to achieve things in
the public interest.
Then there was a
walk to the charming Fort Worth Rail Market, where columnist Marvin
Olasky told us that missing from
oped pages were Christian fundamentalist "third
way" viewpoint that were neither strictly pro- nor anti-abortion, welfare
and so on, but a humanistic alternative transcending the usual
conservative/liberal polarizations.
Panel 3 was on
dissent writing in these patriotic times. Radical journalism professor
Robert Jensen said that oped editors were
perceived by leftists as tools of capitalist running dogs, and he confessed
that he didn't try to publish opeds after Sept.
11 because "to craft for your pages took a lot more trouble" than writing
for the web. Yet we editors have an obligation to seek out leftist writers,
he told us. Molly Ivins, some of us were
surprised to learn, was not one of them.
Panel 4 explored
tax incentives in luring business to cities, which some panelists maintain
put cities on maps and others say act like giant vacuums, sucking up
taxpayer money with nothing to show in return. Why risk taxpayer money if a
lender won't risk his own money?
asked the persuasive
For Nuts & Bolts,
AOPE President Richard Burr played "You Be the Censor" with two
Mideast cartoons, one likening Israelis to
Nazis, the other showing a Palestinian mother giving birth and the doctor
saying, "Congratulations, it's a martyr." Most editors in the room agreed
they wouldn't publish either cartoon because both lacked sophistication in
tackling complex issues. There was discussion about intense lobbying by
pro-Israel and pro-Arab groups.
Then dinner on the Reata balcony,
overlooking some spectacular architecture -- almost as good as the BBQ
shrimp enchiladas and pecan pie. Afterward, some of us stopped at a public square on the way back
to the hotel and stared at Texans doing the funky chicken - not a sight you
see in
Saturday morning,
Richard told us right after breakfast that the judges had trouble with
vague criteria for the Tom Wellman award that say the winner should best
reflect the community. Well, how? the judges
reasonably wanted to know. Should entries detail the effects that writers
had on their communities? Perhaps another committee will straighten that
out.
The 2003
conference at the
Treasurer John
Timpane announced that AOPE is in the black by
$1,800. The newest officers were announced: Marjorie Pritchard as
president, V.P. Bob Davis, Treasurer Lou Ann Frala,
and Secretary David Beasley, who will get the minutes out much faster next
year than I was able to this year. The
advisory council consists of Richard Burr, Mr. Timpane,
me, Lee Moriwaki and Charles Coulter.
Mr. Beasley led
the Nuts & Bolts topic of how to handle the overwhelming volume of
submissions with too little staff. The brilliant suggestions÷answer the
phone only three time a day, let the e-mail pile up while you edit, let
writers know that if they don't hear from the paper in two weeks they can
assume they've been rejected÷were quickly adopted by this writer. There was
discussion of how much documentation is required for writers' wild
op-ed claims, how much pressure editors get from on high to
publish/reject
op-eds (little if any), contracts, 9/11
coverage, elections.
S-T Senior
Designer Meda Kessler, who didn't look that
old, then came at 10:45 to tell us to throw out the design rules, that
black ink was free, that flatbed scanners could scan everyday objects for
instant art, that logos that jump are OK, gray is good on
oped, bra ads are bad, ads should be surrounded
by lots of white space and ad-layout people should be given nice
presents at Christmas (designers too).
Then, the awards. And Newsart's
scooping of all the really good prizes. But that's OK.
As long as they keep their rates down.