Integrative Arts 10
Notes on the Hollywood Studio System
1. What are the three elements of the studio
system?
Production - This is the actual business of making movies.
Distribution - The huge network by which the big movie studios
brought their films to the public. This aspect of their business
included promotion and tracking. The studios used a variety of
means to determine how long different films should play in which
theaters.
Exhibition - This aspect of the business dealt with the theaters.
Before being hit with over ten years worth of anti-trust
lawsuits, the big studios owned the theaters that were the most
lucrative. These were biggest theaters with the highest seating
capacities, situated in the most densely populated areas.
2. What is the difference between an
A film, and a B film?
A film - What is referred to as an A
film, in Hollywood is a film with a high budget, big name stars,
the best, directors and producers available, etc. ,the best of
everything. Batman, Hunt For Red October, and Forrest Gump are
all examples of the typical Hollywood A film.
B film - A B film is a low budget,
quickly made film. With B films, the emphasis is on
speed and efficiency to turn out a movie that will hopefully
produce a profit. B films do serve a purpose though.
For almost all who work in the industry, B films
serve as a training ground. Some examples of B films
are Bikini Carwash Company Part 3, Reservoir Dogs, and anything
featuring Shannon Tweed.
3. What percentage of first-run theaters did
the major studios need to control most of the revenue?
The large studios only needed to own 16% of the total U.S.
theaters, to yield them 90% of the total box office profits. The
"big five", altogether, controlled over 70% of the
total first run theaters in the United States as of 1940.
4. What was the most important aspect of
owning theaters?
Location, location, location! The major studios concentrated
their ownership in the largest theaters with the highest seating
capacities in heavily populated areas. In addition to this, the
big studios worked together to reduce competition. This
arrangement coupled with the practice of owning only the biggest
and most lucrative theaters in major U.S. cities, allowed the big
studios were able to maximize their profits as much as possible.
5. What was Vistavision and why did it
develop?
6. How did television contribute to the
downfall of the studio system and help in its resurgence?
Television obviously stole a great deal of audience from the
movies. Besides being a new and novel medium, it was a cheaper
and more convenient form of entertainment. The studios were
forced to come up with new ways of attracting audiences. The
studios created all manner of promotions and crazy giveaways as
well as other means to put themselves back on top.
On the other hand, television was not a death sentence for the
studios. They also profited from it. Many television companies
bought films from the studios to put on television. Also, once
the studios threw their hats in the television production ring,
they too were able to profit from television. It is also
important to note also, that studios enjoyed a resurgence during
WW2.
7. What are the problems of the dissolution of
the studio system on the visual style and structure of motion
pictures?
The committee system had a lot to do with this. Another problem
was that for a long time, the studios believed that they were
only a few years away from collapsing. The prosperity that the
studios were used to receiving was slipping away, and many saw
this as a sure sign that there were only a few years left. As a
result, many studios liquidated their vast libraries and other
assets.
All of this panic had a profound effect on the motion picture
industry. The studios began to pump out movies as quickly as
possible in order to make as much money, as fast as possible.
This movie making frenzy yielded a lot of movies that were
essentially the same picture over and over. This practice carried
over year after year and effectively marginalized the different
genres of pictures that came out of Hollywood. In other words,
there is a certain "type" of movie that Hollywood
produces today that stays within a set of parameters that have
been come about as a result of the dissolution of the studio
system.
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