Previous Exhibitions
Spring 2008 |
|
| Manet and Friends | January 15 –April 6, 2008 |
|
|
Fall 2007 |
|
| Shallow Creek: Thomas Hart Benton and American Waterways | September 4–December 2, 2007 |
American Drawings from the Permanent Collection |
September 11–November 25, 2007 |
| American Scenery: Different Views in Hudson River School Painting | October 7–December 16, 2007 |
Summer 2007 |
|
| The Art of Collage | May 15–September 2, 2007 |
Photographs from the Permanent Collection |
June 5–August 19, 2007 |
| Ansel Adams & Edwin Land: Art, Science and Invention, Photographs from the Polaroid Collection | July 12–September 9, 2007 |
Spring 2007 |
|
| Family Legacies: The Art of Betye, Lezley, and Alison Saar | January 30–April 22, 2007 |
Early Soviet Photography |
February 6–May 6, 2007 |
| Old Master Prints from the Permanent Collection | February 20–May 20, 2007 |
Fall 2006 |
|
| A Few of Our Favorite Things: Selections by the Staff of the Palmer Museum of Art | September 12, 2006–February 4, 2007 |
Couples Discourse |
October 10–December 20, 2006 |
| Recent Acquisitions: American and European Prints | October 24, 2006–January 28, 2007 |
Summer 2006 |
|
| Ukiyo-e: Japanese Woodblock Prints from the Permanent Collection | June 13–August 27, 2006 |
Celestial Images: Antiquarian Astronomical Charts and Maps from the Mendillo Collection |
July 18–September 17, 2006 |
| Recent Acquisitions: Contemporary Prints and Photographs | May 30–October 15, 2006 |
Spring 2006 |
|
| European Modernism | January 31–May 21, 2006 |
New Perspectives: |
February 14–May 28, 2006 |
| Picturing the Banjo | March 30–June 25, 2006 |
Fall 2005 |
|
| Fantastic Tales: The Photography of Nan Goldin | August 30–December 4, 2005 |
| Watercolors by Lyonel Feininger | September 20, 2005–January 22, 2006 |
| Wos up man? Selections from the Joseph D. and Janet M. Shein Collection of Self-Taught Art | October 11, 2005–February 12, 2006 |
Summer 2005 |
|
| 7: Rachelle Puryear | May 31–September 11, 2005 |
| Counterpoints | June 14–August 21, 2005 |
| Dialogue and Diversity | June 28–September 18, 2005 |
Spring 2005 |
|
| An Intimate Eye: Selections from the Collection of James and Barbara Palmer | January 18–May 15, 2005 |
| American Prints from the 1920s and 1930s | February 1–May 22, 2005 |
| Henry Varnum Poor: Studies for the Land Grant Frescoes | February 15–June 5, 2005 |
Fall 2004 |
|
| Devotion and Diversity: South Asian Sculpture from the Philadelphia Museum of Art | October 21, 2001–October 4, 2004 |
| Accommodations of Desire: Surrealist Works on Paper Collected by Julien Levy | September 14–December 4, 2004 |
Summer 2004 |
|
| Works on Paper Post-1945: Selections from the Permanent Collection |
April 6–August 15, 2004 |
| Specimen: Natural History and American Modernism, 1900–1950 | June 15–September 12, 2004 |
Spring 2004 |
|
| Intimate Purlieus: The Diminutive Landscape and Contemporary Art |
March 16–August 8, 2004 |
| Graphic Masters: Highlights from the Smithsonian American Art Museum |
January 20–March 14, 2004 |
| Arneson and the Object |
February 10–May 16, 2004 |
Fall 2003 |
|
| Alfred Maurer: The First American Modern | October 7–December 21, 2003 |
Summer 2003 |
|
| Will Barnet: Painting without Illusion The Genesis of Four Paintings from the 1960s |
May 10-October 5, 2003 |
| Paper Bridges: Works on Paper from the Permanent Collection |
May 20-August 24, 2003 |
| A Community of Artists: The Collection of the Provincetown Art Association and Museum |
July 8-August 31, 2003 |
Spring 2003 |
|
| Rodin's Obsession: The Gates of Hell, Selections from the Iris and B. Gerald Cantor Collection |
January 14-June 1, 2003 |
| John Covert Rediscovered |
February 11-April 20, 2003 |
Fall 2002 |
|
| An Endless Panorama of Beauty: Selections from the Jean and Alvin Snowiss Collection of American Art |
November 12, 2002-May 16, 2003 |
| Shaped with a Passion: The Carl A. Weyerhaeuser Collection of Japanese Ceramics from the 1970s |
October 6-December 1, 2002 |
| Picturing America: Photographs form the Permanent Collection |
August 27, 2002-January 19, 2003 |
| 200 Years: Change-No Change an Installation by Jaune Quick-to-See Smith |
September 10, 2002-January 26, 2003 |
Summer 2002 |
|
| American Drawings and Watercolors: Selections from the Permanent Collection |
June 4-August 18, 2002 |
| Tools as Art: The Hechinger Collection |
July 2-August 25, 2002 |
Spring 2002 |
|
| American Pastorale: Drawings by John F. Kensett |
September 18, 2001-February 3, 2002 |
| Devotion and Diversity: South Asian Sculpture from the Philadelphia Museum of Art |
October 21, 2001-October 2004 |
| The Geldzahler Portfolio | November 27, 2001-February 10, 2002 |
| Sam Gilliam: Recent Prints |
February 12-May 26, 2002 |
| John Paul Caponigro | February 26-June 2, 2002 |
| Carrie Mae Weems: The Jefferson Suite |
March 12-June 9, 2002 |
Fall 2001 |
|
| Differences Preserved: Reconstructed Tombs from the Liao and Song Dynasties |
September 4-December 16, 2001 |
| The Poetry of Line: Drawings by Henry Pearson |
September 11-November 18, 2001 |
Summer 2001 |
|
| From Main Street to Moscow by Way of Rails and Sails: History of Transportation in Pennsylvania Prints from the Permanent Collection |
May 8-September 2, 2001 |
| Impressionism in Print: Etchings and Lithographs by Childe Hassam |
May 22-September 9, 2001 |
| Wit and Wine: A New Look at Ancient Iranian Ceramics from the Arthur M. Sackler Foundation |
June 12-August 12 , 2001 |
Spring 2001 |
|
| History Past, History Present: The Daguerreotype Portrait in America |
January 16-May 20, 2001 |
| Power in My Hand: Works on Paper by Women Artists from the Permanent Collection |
January 23-April 29, 2001 |
| Personal Visions: Recent Gifts from Joseph D. and Janet M. Shein |
August 22, 2000-January 28, 2001 |
| From Nature to the City: American Modern Works on Paper |
September 21, 2000-February 18, 2001 |
| An Interlude in Giverny: The French Chevalier by Frederick MacMonnies |
October 24-February 25, 2001 |
| An Artistic Friendship: Beauford Delaney and Lawrence Calcagno |
February 27-May 13, 2001 |
Fall 2000 |
|
| Old Master Prints and Drawings from the Permanent Collection | September 19-December 21, 2000 |
| Master Drawings from the Collection of Alfred Moir | October 10-December 10, 2000 |
Summer 2000 |
|
| School of visuial arts 2000 | July 5-September 17, 2000 |
| Abe Ajay: Constructions and Collages |
June 27-September 11, 2000 |
Spring 2000 |
|
| Ukiyo-e: Images of the Floating World Japanese Woodblock Prints from the Permanent Collection |
July 6, 1999-February 13, 2000 |
| An American Sculptor: Seymour Lipton |
January 20-June 4, 2000 |
| PSU Collects WPA | January 4-March 5, 2000 |
| Indian Country Today | February 1, 2000 |
| Matisse:Jazz | February 29-May 28, 2000 |
| Andy Warhol: Cowboys and Indians |
March 14-June 11, 2000 |
Fall 1999 |
|
| 10 x 10: Ten Women, Ten Prints |
September 14-December 12, 1999 |
| The Crossing: A Video Installation by Bill Viola |
October 5-December 12, 1999 |
| A Baroque Bequest: A Selection of Paintings from the Collection of Mary Jane Harris |
October 12-December 12, 1999 |
Summer 1999 |
|
| Dale Chihuly:"Seaforms" | June 22-September 12, 1999 |
| The Palmer Collects: A Glimpse of Recent Acquisitions |
June 8-September 5, 1999 |
Spring 1999 |
|
| Pictorialism into Modernism: The Clarence H. White School of Photography |
January 19-May 23, 1999 |
| Shadows and Reflections: Pictorial Photography by Wilbur H. Porterfield |
January 19-May 30, 1999 |
| Five Decades of Drawings by John Biggers | February 2-June 27, 1999 |
