"Plastic Entanglements" unfolds in three sections, charting a timeline — past, present and future — of our relationship with plastic.
“The Archive” examines the ways in which plastic objects make up an inadvertent record of daily life from the mid-20th century onwards.
“The Entangled Present” reveals the ways in which plastic binds people, plants, and animals together across diverse geographical locations and through global systems. The works of art in this section focus attention on the complex effects of the reach of plastic on ecological networks as well as on current artistic practice.
The exhibition concludes with a section dedicated to “Speculative Futures,” asking what unknown worlds are emerging from the omnipresence of plastic, including new geologic and biologic forms.
"Plastic Entanglements: Ecology, Aesthetics, Materials" was curated by Joyce Robinson, curator at the Palmer Museum of Art; Jennifer Wagner-Lawlor, professor of women’s, gender, and sexuality studies and English at Penn State; and Heather Davis, independent scholar.
“Part of the excitement around 'Plastic Entanglements' will emerge from the fact that plastic is ubiquitous,” states Robinson. “Those who might be intimidated by a ‘contemporary art’ exhibition will find themselves immediately drawn in by the familiarity of plastic, which actually makes the world we live in possible.”
Wagner-Lawlor adds, “We hope the exhibition offers viewers a new perspective — more than one, actually — on a material so common that we don't think about where it comes from, how we use it, how it is impacting the environment, local and global ecologies, and even our own health. The exhibition explores different sides of our lives with plastic, balancing the ecological concerns many artists bring to their work, with their simultaneous appreciation of the versatile material properties of plastic.”
The exhibition will travel to the Jordan Schnitzer Museum of Art, University of Oregon (Sept. 22–Dec. 30); Smith College Museum of Art (Feb. 8–July 28, 2019); and the Chazen Museum of Art, University of Wisconsin-Madison (Sept. 13, 2019–Jan. 5, 2020).
This exhibition was made possible by available funds from the Donald W. Hamer Endowment for Art Acquisitions and Exhibitions. Major support was provided by The Arboretum at Penn State, College of Arts and Architecture, Materials Research Institute, Sustainability Institute, University Libraries, George Dewey and Mary J. Krumrine Endowment, Pennsylvania Council on the Arts, and the National Endowment for the Arts, in addition to funding from 25 other entities across campus.
Programming associated with the exhibition includes gallery talks, lectures by participating artists, films, and conversations with scholars whose work addresses plastic in some way. The complete schedule can be found by visiting http://palmermuseum.psu.edu/events.