UNIVERSITY PARK, Pa. — When art history doctoral candidate Janet Purdy left a lucrative career as a designer in Chicago to attend graduate school at Penn State and pursue a career researching African art, she knew that she was taking a chance. What she had not anticipated was that while packing for the move, she would uncover old sketchbooks from her undergraduate days filled with drawings of African textiles and patterns that would prove she was making the right decision.
“I had completely forgotten about them, but I was always fascinated with design and how cultures communicated through patterns and iconography,” noted Purdy. “Finding those drawings at that moment was a really special ‘close the circle’ moment.”
Similarly, Purdy’s dissertation research focuses on the patterns of carved wooden doors as a form of historical documentation and conveyor of ideology and identity. By investigating their sociopolitical contexts throughout the Swahili Coast, she aims to reveal the doors’ meanings within their cultures and preserve their role in communication and narrative.
Purdy’s project is part research, archaeology and digital mapping/reproduction, making stylistic and symbolic connections across Indian Ocean trade routes. She is a student of Bill Dewey, associate professor of art history in Penn State's College of Arts and Architecture and director of the African Studies Program in the College of the Liberal Arts. Dewey is also part of a curatorial team that received a $250,000 National Endowment for the Humanities (NEH) grant for a UCLA Fowler Museum exhibition on African blacksmithing.
“I couldn’t ask for a better adviser. I also have a rock-star dissertation committee [Madhuri Desai, Amara Solari, and Christopher Tounsel] that keeps encouraging me to shoot higher. The [Art History] department provides the perfect mix — a collegial environment, a traditional program and the opportunity to take a more creative approach.”