UNIVERSITY PARK, Pa. — “Tender,” written by Beth Hetland and published by Fantagraphics, has won the 2025 Lynd Ward Graphic Novel Prize. Penn State University Libraries sponsors this juried award and its administrator, the Pennsylvania Center for the Book.
In “Tender,” the judges said, “Hetland explores societal expectations of women via visceral body horror, transforming the seemingly mundane story of desire for family and acceptance into a provocative social commentary on social norms, perfectionism, and self-harm. The simple art style and occasional grotesque details engage the reader and make them squirm ... The elements of body horror echo the themes of how the images of a perfect life in one's dreams or social media feeds are often a facade, hiding deeper horrors within us.”
Hetland will receive a $2,500 prize and “Lynd Ward: Six Novels in Woodcuts,” a two-volume boxed set published by Library of America, at a forthcoming event. Details of the event will be announced closer to the start of the fall semester.
“The Jellyfish” by Boum, published by Pow Pow Press; and Dave Lapp’s “The Field,” published by Conundrum Press, were named 2025 Lynd Ward Prize honor books. The winning honor book authors will also receive “Lynd Ward: Six Novels in Woodcuts.”
“Dave Lapp's 'The Field' is deceptively simple,” noted the judges. “Drawn with minimalistic black and white cartoon images, it's about neighborhood kids doing their best to entertain themselves throughout a long summer, yet darkness and cruelty are constantly at the edges of their lives. The pacing is slow and methodical but never dull, allowing for subtlety and nuance in the story. The simplicity of the art evokes the worldview of a child while being well-crafted and precise. By interspersing high-stakes moments with the utterly mundane, Lapp doesn't merely present a sentimental story of a distant past; instead, he recreates childhood in a way that the reader becomes fully immersed and experiences what it's like to be a kid again.”
The judges shared, “Boum's 'The Jellyfish' takes a powerful approach to depicting progressive vision loss. It is not solely a story about disability; the primary narrative is intertwined with issues of familial dynamics and romantic relationships. This graphic novel truly capitalizes on the affordances of the graphic genre, with the main character's progressive blindness taking the materialized form of a jellyfish floating inside her eye. As the narrative progresses, the jellyfish multiply and obscure more of the book itself, encroaching on vision both for the protagonist and the reader. The result is a deeply immersive experience. Creative choices and art style make a specific and possibly unfamiliar experience feel personal to the reader. Boum creates an impressive visual work infused within a quiet, easy read and a focus that makes the story relatable.”